Music
Bastian Fox Phelan
Prolific songwriter and zinester meets radio producer in Ukelele Disco Incident!
Pioneer Disposals
Tape-loop rock and music for sleeping cats, 2002-2009
Mr Clean
Musique Concrete performed on a small piano, 1998-2001
Prolific songwriter and zinester meets radio producer in Ukelele Disco Incident!
Tape-loop rock and music for sleeping cats, 2002-2009
Musique Concrete performed on a small piano, 1998-2001
"We wanna be free! We wanna be free to do what we wanna do!"
1990 | 1991 | gulf war | wild angels | primal scream
"Churches once held sacred are now but heaps of dust and ashes; and yet we have our minds set on the desire of gain. We live as though we were going to die tomorrow; yet we build as though we were going to live always in this world. Our walls shine with gold, our celings also... yet Christ dies before our doors naked and hungry in the person of his poor."
ke$ha
"Like the pleasure of friendship, the pleasure of beauty is curious. It aims to understand its object, and to value what it finds. Hence it tends toward a judgement of its own validity. And like every other rational judgement, this one makes implicit appeal to the community of rational beings. This is what Kant meant when he said that, in the judgement of taste, I am 'a suitor for agreement', expressing my judgement not as a private opinion but as a binding verdict that would be agreed upon by all."
roger scruton | immanuel kant | jack black | high fidelity
"Few people would fall in love had they never heard of love. Passion and expression are not really seperable. Passion comes to birth in that powerful impetus of the mind which also brings language into existence. So soon as passion goes beyond instinct and becomes truly itself, it tends toward self-description, either in order to justify or intensify its being, or else simply in order to keep going.
pre-raphaelites | denis de rougement | love | passion | beata beatrix
"When I want to make a statue of a beautiful woman, I have a great number of them undress; all offer both beautiful parts and badly shaped parts; I take from each what is beautiful."
linder | diderot | d'alambert | the ideal
'When faced with the myth, the questions to ask are not about women’s faces and bodies but about the power relations of the situation. Who is this serving? Who says? Who profits? What is the context?
naomi wolf