Craig Schuftan

Books

Entertain Us!

The Rise and Fall of Alternative Rock in the Nineties. (2012) In 1990 alternative music was where it belonged – underground. It left the business of rock stardom to rock stars. But by 1992 alternative rock had spawned a revolution in music and style that transformed youth culture and revived a moribund music industry. Five years later, alternative rock was over, leaving behind a handful of dead heroes, a few dozen masterpieces, and a lot more questions than answers. What, if anything, had the alternative revolution meant? And had it been possible – as so many of its heroes had insisted – for it to be both on MTV and under the radar? Had it used the machinery of corporate rock to destroy corporate rock? To answer these questions, Entertain Us! takes you on a journey through the nineties – from Sonic Youth’s ‘Kool Thing’ to Radiohead’s ‘Kid A’, Nevermind to Odelay, Madchester to Nu-Metal, Lollapalooza to Woodstock ’99 – narrated in the voices of the decade’s most important artists. This is the story of alternative rock – the people who made it, the people who loved it, the industry that bought and sold it, and the culture that grew up in its wake – in the last decade of the twentieth century

Read an excerpt here.

The Culture Club 

Modern Art, Rock and Roll, and Other Stuff Your Parents Warned You About. (2007) The Culture Club goes beyond the standard histories of Rock and Roll to reveal modern music's hidden roots in Modern Art. From Alexander Rodchenko to Franz Ferdinand, Antonin Artaud to The Flaming Lips, John Cage to the B-52s, Jean-Paul Sartre to Saturday Night Fever, a century of heavy traffic between the Pop charts and the Avant-Garde is brought dramatically to life. The Culture Club reveals how Futurism, Constructivism, Surrealism, and all the other '-isms' of the twentieth century found their way into your headphones, and into your head.

Read an excerpt here.

Hey! Nietzsche! Leave Them Kids Alone!

he Romantic Movement, Rock and Roll, and The End of Civilisation as We Know It. (2009) Hey! Nietzsche! Leave Them Kids Alone! uncovers for the first time the hidden roots of rock & roll in the Romantic movement of the 1800s. Picking up a clue in My Chemical Romance's 'Welcome to the Black Parade', the author follows it into a world where Keats meets The Cure, Wordsworth hangs with Weezer, and Byron exchanges haughty glances with Bowie. From Schopenhauer's darkest days to Queen's hits, Hey! Nietzsche! is a wild ride through the nineteenth century and into the twentieth, with the best mix-tape in the world on your car stereo.

Read an excerpt here.

 

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15.03.13

Resist Aggression

"We wanna be free! We wanna be free to do what we wanna do!"

1990 | 1991 | gulf war | wild angels | primal scream

kesha die young 1
26.02.13

Like we're gonna die young

"Churches once held sacred are now but heaps of dust and ashes; and yet we have our minds set on the desire of gain. We live as though we were going to die tomorrow; yet we build as though we were going to live always in this world. Our walls shine with gold, our celings also... yet Christ dies before our doors naked and hungry in the person of his poor."

ke$ha

Barry High Fidelity
24.02.13

A suitor for agreement

"Like the pleasure of friendship, the pleasure of beauty is curious. It aims to understand its object, and to value what it finds. Hence it tends toward a judgement of its own validity. And like every other rational judgement, this one makes implicit appeal to the community of rational beings. This is what Kant meant when he said that, in the judgement of taste, I am 'a suitor for agreement', expressing my judgement not as a private opinion but as a binding verdict that would be agreed upon by all."

roger scruton | immanuel kant | jack black | high fidelity

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22.02.13

Keep going

"Few people would fall in love had they never heard of love. Passion and expression are not really seperable. Passion comes to birth in that powerful impetus of the mind which also brings language into existence. So soon as passion goes beyond instinct and becomes truly itself, it tends toward self-description, either in order to justify or intensify its being, or else simply in order to keep going.

pre-raphaelites | denis de rougement | love | passion | beata beatrix

Sordide Sentimental 1981 2009 digital C print from original negative on fuji crystal archive paper 11179.5cm
20.02.13

How You Became What You Are

"When I want to make a statue of a beautiful woman, I have a great number of them undress; all offer both beautiful parts and badly shaped parts; I take from each what is beautiful."

linder | diderot | d'alambert | the ideal

traceyspicer
09.11.12

Here is the news

'When faced with the myth, the questions to ask are not about women’s faces and bodies but about the power relations of the situation. Who is this serving? Who says? Who profits? What is the context?

naomi wolf